by Matteo » Feb 04, '15, 3:54 am
It's truly an intense, fervent slice of filmmaking. It turns jazz into a ruthless bloodsport. The towering screen presence of Teller and Simmons place aside, this film has to be one of the best, purely from an editorial standpoint, in quite some time. Tom Cross has exhibited fantastic dexterity here. This is how you build a sense of inexorable anxiety and strain - each cut just nervously adding to the next. So often throughout the viewing it felt like you were behind the drums, in Andrew's position, anxiously playing whilst Fletcher was stalking each and every auditory note, ready to pounce in vexation if you blundered. And the use of sound was impeccable - who would've thought jazz music could be so fanatical and daunting when placed in this context? And it was a directorial debut? And the director is barely 30? Am I dreaming? It's seriously a fantastic work - riddled with tension and restlessness throughout, with a remarkable closing act. Oh, and I see Chazelle's returning to the world of jazz with Miles Teller again for La La Land (2015)? Yes please. I can not recommend this enough. I've always loved Simmons, but he took it to new levels here - in fact, the he seems to adopt the same deceitful unpredictability and eccentricity as the memorable Vern Schillinger in Oz. This is, perhaps, my favourite film of 2014, and one of the best American films of the last 10-15 years.